Difference between revisions of "Kreplak2014a"
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{{BibEntry | {{BibEntry | ||
| − | | | + | |BibType=PHDTHESIS |
| − | | | + | |Author(s)=Yaël Kreplak; |
|Title=L'œuvre en pratiques Une approche interactionnelle des activités artistiques et esthétiques | |Title=L'œuvre en pratiques Une approche interactionnelle des activités artistiques et esthétiques | ||
| − | |||
|Tag(s)=Aesthetics; Contemporary art; EMCA; Ethnomethodology; multimodality; pragmatism | |Tag(s)=Aesthetics; Contemporary art; EMCA; Ethnomethodology; multimodality; pragmatism | ||
| − | | | + | |Key=Kreplak2014a |
| − | |||
|Year=2014 | |Year=2014 | ||
|URL=https://www.theses.fr/2014ENSL0914 | |URL=https://www.theses.fr/2014ENSL0914 | ||
| + | |School=Ecole Normale Supérieure de Lyon | ||
|Abstract=This PhD dissertation develops an approach to artworks defined as practical accomplishments, drawing on fieldwork observation of the preparation of an exhibition in a center for contemporary art. This study draws on the analytical and theoretical findings of conversation analysis and ethnomethodology to investigate artistic and aesthetic activities. Approaching artworks as practical accomplishments, by analyzing interactions with and around artworks, contributes to redefining artworks as well as artistic and aesthetic activities. The detailed analysis of micro-activities accomplished by art professionals (entering the artwork's space, giving instructions for installing the artwork, assessing the artwork installation, successively introducing different artworks in the course of a guided tour) allows for the description of the artwork's constitution as an empirical phenomenon, as can be observed in the exhibition's ecology and through the interactions between its actors. The study advocates a descriptive approach to social and situated practices which produce artworks. It endeavors to offer an empirical contribution, from a linguistic and sociological perspective, to theoretical debates in aesthetics and, incidentally, to expand the study of art as an interdisciplinary field of research. | |Abstract=This PhD dissertation develops an approach to artworks defined as practical accomplishments, drawing on fieldwork observation of the preparation of an exhibition in a center for contemporary art. This study draws on the analytical and theoretical findings of conversation analysis and ethnomethodology to investigate artistic and aesthetic activities. Approaching artworks as practical accomplishments, by analyzing interactions with and around artworks, contributes to redefining artworks as well as artistic and aesthetic activities. The detailed analysis of micro-activities accomplished by art professionals (entering the artwork's space, giving instructions for installing the artwork, assessing the artwork installation, successively introducing different artworks in the course of a guided tour) allows for the description of the artwork's constitution as an empirical phenomenon, as can be observed in the exhibition's ecology and through the interactions between its actors. The study advocates a descriptive approach to social and situated practices which produce artworks. It endeavors to offer an empirical contribution, from a linguistic and sociological perspective, to theoretical debates in aesthetics and, incidentally, to expand the study of art as an interdisciplinary field of research. | ||
}} | }} | ||
Revision as of 15:11, 27 September 2017
| Kreplak2014a | |
|---|---|
| BibType | PHDTHESIS |
| Key | Kreplak2014a |
| Author(s) | Yaël Kreplak |
| Title | L'œuvre en pratiques Une approche interactionnelle des activités artistiques et esthétiques |
| Editor(s) | |
| Tag(s) | Aesthetics, Contemporary art, EMCA, Ethnomethodology, multimodality, pragmatism |
| Publisher | |
| Year | 2014 |
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| URL | Link |
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| School | Ecole Normale Supérieure de Lyon |
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Abstract
This PhD dissertation develops an approach to artworks defined as practical accomplishments, drawing on fieldwork observation of the preparation of an exhibition in a center for contemporary art. This study draws on the analytical and theoretical findings of conversation analysis and ethnomethodology to investigate artistic and aesthetic activities. Approaching artworks as practical accomplishments, by analyzing interactions with and around artworks, contributes to redefining artworks as well as artistic and aesthetic activities. The detailed analysis of micro-activities accomplished by art professionals (entering the artwork's space, giving instructions for installing the artwork, assessing the artwork installation, successively introducing different artworks in the course of a guided tour) allows for the description of the artwork's constitution as an empirical phenomenon, as can be observed in the exhibition's ecology and through the interactions between its actors. The study advocates a descriptive approach to social and situated practices which produce artworks. It endeavors to offer an empirical contribution, from a linguistic and sociological perspective, to theoretical debates in aesthetics and, incidentally, to expand the study of art as an interdisciplinary field of research.
Notes
