Difference between revisions of "Doubt1989"
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{{BibEntry | {{BibEntry | ||
|BibType=ARTICLE | |BibType=ARTICLE | ||
| − | |Author(s)=Keith Doubt | + | |Author(s)=Keith Doubt |
|Title=Garfinkel before ethnomethodology | |Title=Garfinkel before ethnomethodology | ||
| − | |Tag(s)=EMCA; Ethnomethodology; Garfinkel; | + | |Tag(s)=EMCA; Ethnomethodology; Garfinkel; |
|Key=Doubt1989 | |Key=Doubt1989 | ||
|Year=1989 | |Year=1989 | ||
| Line 9: | Line 9: | ||
|Volume=20 | |Volume=20 | ||
|Number=3 | |Number=3 | ||
| − | |Pages= | + | |Pages=252–262 |
| − | |Abstract=A short story titled "'Color Trouble'" by Harold Garfinkel was published in Opportunity in 1940, The Best Short Stories 1941, and Primer for White Folks in 1945. Garfinkel wrote this short story before World War II while a research fellow at the University of North Carolina, Chapel Hill under Howard W. Odum, the founder of Social Forces. "'Color Trouble'" narrates poignantly the racial victimization of a young black woman traveling on a public bus through the State of Virginia. The short story provides sociologists with a different medium through which to examine the seminal interests of ethnomethodology's founder. In a literary form, the short story depicts such ethnomethodological concepts as the breaching experiment, the "et cetera clause, " "ad hoeing, " and the status degradation ceremony. Garfinkel's "'Color Trouble'" also suggests the way in which ethnomethodology overlaps with, as well as diverges from, Erving Goffman's dramaturgical perspective. | + | |URL=http://link.springer.com/article/10.1007%2FBF02697831 |
| + | |DOI=10.1007/BF02697831 | ||
| + | |Abstract=A short story titled "'Color Trouble'" by Harold Garfinkel was published in Opportunity in 1940, The Best Short Stories 1941, and Primer for White Folks in 1945. Garfinkel wrote this short story before World War II while a research fellow at the University of North Carolina, Chapel Hill under Howard W. Odum, the founder of Social Forces. "'Color Trouble'" narrates poignantly the racial victimization of a young black woman traveling on a public bus through the State of Virginia. The short story provides sociologists with a different medium through which to examine the seminal interests of ethnomethodology's founder. In a literary form, the short story depicts such ethnomethodological concepts as the breaching experiment, the "et cetera clause, " "ad hoeing, " and the status degradation ceremony. Garfinkel's "'Color Trouble'" also suggests the way in which ethnomethodology overlaps with, as well as diverges from, Erving Goffman's dramaturgical perspective. | ||
}} | }} | ||
Revision as of 08:24, 4 January 2016
| Doubt1989 | |
|---|---|
| BibType | ARTICLE |
| Key | Doubt1989 |
| Author(s) | Keith Doubt |
| Title | Garfinkel before ethnomethodology |
| Editor(s) | |
| Tag(s) | EMCA, Ethnomethodology, Garfinkel |
| Publisher | |
| Year | 1989 |
| Language | |
| City | |
| Month | |
| Journal | The American Sociologist |
| Volume | 20 |
| Number | 3 |
| Pages | 252–262 |
| URL | Link |
| DOI | 10.1007/BF02697831 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
A short story titled "'Color Trouble'" by Harold Garfinkel was published in Opportunity in 1940, The Best Short Stories 1941, and Primer for White Folks in 1945. Garfinkel wrote this short story before World War II while a research fellow at the University of North Carolina, Chapel Hill under Howard W. Odum, the founder of Social Forces. "'Color Trouble'" narrates poignantly the racial victimization of a young black woman traveling on a public bus through the State of Virginia. The short story provides sociologists with a different medium through which to examine the seminal interests of ethnomethodology's founder. In a literary form, the short story depicts such ethnomethodological concepts as the breaching experiment, the "et cetera clause, " "ad hoeing, " and the status degradation ceremony. Garfinkel's "'Color Trouble'" also suggests the way in which ethnomethodology overlaps with, as well as diverges from, Erving Goffman's dramaturgical perspective.
Notes
