Broth2006
| Broth2006 | |
|---|---|
| BibType | ARTICLE |
| Key | Broth2006 |
| Author(s) | Mathias Broth |
| Title | L'interaction du plateau comme ressource contextuelle pour la réalisation télévisuelle |
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| Tag(s) | EMCA, Multimodality, TV, activity construction, control room, sequence organization |
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| Year | 2006 |
| Language | French |
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| Journal | Verbum |
| Volume | 26 |
| Number | 2-3 |
| Pages | 279–304 |
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Abstract
The present paper focuses on the highly complex context of a live TV-production. The study shows how the studio interaction can be made relevant as a crucial contextual resource for the production crew filming and broadcasting the very same interaction. The mutual intelligibility of the crew’s indexical practices (e.g. talk, switches and camera movement) is shown to be grounded, to a large extent, in a state of mu- tual attention to the unfolding interaction in the studio. Based on a number of video recordings made in the control room during the live production of the French TV- show Rideau Rouge (January 20, 2004) the paper describes in particular the crew’s orientations towards three dimensions of the local and endogenous organization of the studio interaction: turn construction, sequence organization, and activity consti- tution. The analyses confirm the general relevance of these orders of organization for talk-in-interaction, and shows how each can be used, in this particular context, for the practical purposes of the production of a show for an audience of TV- viewers. The study also considers possible mediating effects when perceiving the studio interaction at a distance. In the control room, the studio interaction can only be observed through the technological system in use, a fact which is shown to be of possible importance for the way in which it can be understood.
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