Difference between revisions of "Krug2022"
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|Language=English | |Language=English | ||
|Journal=Frontiers in Communication | |Journal=Frontiers in Communication | ||
| + | |Volume=7 | ||
| + | |Pages=957894 | ||
|URL=https://www.frontiersin.org/articles/10.3389/fcomm.2022.957894/full | |URL=https://www.frontiersin.org/articles/10.3389/fcomm.2022.957894/full | ||
|DOI=10.3389/fcomm.2022.957894 | |DOI=10.3389/fcomm.2022.957894 | ||
|Abstract=Synchrony is a members' interactional solution for dealing with multiple relevant interactional tasks simultaneously when working on two or more separate, perceptual, and equally relevant projects, e. g., when dancing while pointing out a feature of the ongoing dance. This paper focuses on moments in which participants engage in joint meaning-making to identify, negotiate, and implement displayed multimodal gestalts of the choreography. Three temporal procedures of mutual alignment and synchronization were identified through a conversation analytical approach in combination with marker-less motion tracking movement analysis of a dance rehearsal: delays, accelerations, and accentuations. The analyses revealed that synchrony requires constant coordination in order to establish, maintain, and dissolve alignment between participants and their multimodal resources. | |Abstract=Synchrony is a members' interactional solution for dealing with multiple relevant interactional tasks simultaneously when working on two or more separate, perceptual, and equally relevant projects, e. g., when dancing while pointing out a feature of the ongoing dance. This paper focuses on moments in which participants engage in joint meaning-making to identify, negotiate, and implement displayed multimodal gestalts of the choreography. Three temporal procedures of mutual alignment and synchronization were identified through a conversation analytical approach in combination with marker-less motion tracking movement analysis of a dance rehearsal: delays, accelerations, and accentuations. The analyses revealed that synchrony requires constant coordination in order to establish, maintain, and dissolve alignment between participants and their multimodal resources. | ||
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Latest revision as of 00:08, 13 October 2022
| Krug2022 | |
|---|---|
| BibType | ARTICLE |
| Key | Krug2022 |
| Author(s) | Maximilian Krug |
| Title | Temporal procedures of mutual alignment and synchronization in collaborative meaning-making activities in a dance rehearsal |
| Editor(s) | |
| Tag(s) | EMCA, synchrony, alignment, multimodality, multiactivity, coordination, movement analysis, conversation analysis, dance |
| Publisher | |
| Year | 2022 |
| Language | English |
| City | |
| Month | |
| Journal | Frontiers in Communication |
| Volume | 7 |
| Number | |
| Pages | 957894 |
| URL | Link |
| DOI | 10.3389/fcomm.2022.957894 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
Synchrony is a members' interactional solution for dealing with multiple relevant interactional tasks simultaneously when working on two or more separate, perceptual, and equally relevant projects, e. g., when dancing while pointing out a feature of the ongoing dance. This paper focuses on moments in which participants engage in joint meaning-making to identify, negotiate, and implement displayed multimodal gestalts of the choreography. Three temporal procedures of mutual alignment and synchronization were identified through a conversation analytical approach in combination with marker-less motion tracking movement analysis of a dance rehearsal: delays, accelerations, and accentuations. The analyses revealed that synchrony requires constant coordination in order to establish, maintain, and dissolve alignment between participants and their multimodal resources.
Notes
