Difference between revisions of "Kataoka2009"
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|Author(s)=Kuniyoshi Kataoka | |Author(s)=Kuniyoshi Kataoka | ||
|Title=A multi-modal ethnopoetic analysis (Part 1): Text, gesture, and environment in Japanese spatial narrative | |Title=A multi-modal ethnopoetic analysis (Part 1): Text, gesture, and environment in Japanese spatial narrative | ||
| − | |Tag(s)=EMCA; Narrative; Gesture; Multi-modality; Ethnopoetics; Spatial description; Japanese; | + | |Tag(s)=EMCA; Narrative; Gesture; Multi-modality; Ethnopoetics; Spatial description; Japanese; |
|Key=Kataoka2009 | |Key=Kataoka2009 | ||
|Year=2009 | |Year=2009 | ||
|Journal=Language & Communication | |Journal=Language & Communication | ||
|Volume=29 | |Volume=29 | ||
| + | |Number=4 | ||
|Pages=287–311 | |Pages=287–311 | ||
| − | |DOI= | + | |URL=https://www.sciencedirect.com/science/article/pii/S0271530909000366 |
| − | |Note= | + | |DOI=10.1016/j.langcom.2009.05.003 |
| − | |Abstract=In this paper, I examine the interplay of language- | + | |Note=For part 2 see: Kataoka2010 |
| − | the text, the body, and the environment in conjunction with the thematic cohesion via | + | |Abstract=In this paper, I examine the interplay of language-specific factors and socio-cognitive motivations for the poetic construction of language and gesture in Japanese spatial narrative. By employing an ethnopoetic approach and analyzing the text, the body, and the environment in conjunction with the thematic cohesion via “catchment” [McNeill, D., 2004. Gesture and Thought. The University of Chicago Press, Chicago], I argue that speakers coordinately cue subtle shifts of the narrative phases in terms of forms, referents, and shifts of hand gestures. Based on this argument, I claim that not only linguistic but also multi-modal semiotic resources can substantially contribute to the achievement of holistic poetic configuration and an inter-subjective schema for narrative comprehension. |
| − | of the narrative phases in terms of forms, referents, and shifts of hand gestures. Based on this argument, I claim that not only linguistic but also multi-modal semiotic resources can substantially contribute to the achievement of holistic | ||
| − | |||
}} | }} | ||
Latest revision as of 10:39, 23 November 2019
| Kataoka2009 | |
|---|---|
| BibType | ARTICLE |
| Key | Kataoka2009 |
| Author(s) | Kuniyoshi Kataoka |
| Title | A multi-modal ethnopoetic analysis (Part 1): Text, gesture, and environment in Japanese spatial narrative |
| Editor(s) | |
| Tag(s) | EMCA, Narrative, Gesture, Multi-modality, Ethnopoetics, Spatial description, Japanese |
| Publisher | |
| Year | 2009 |
| Language | |
| City | |
| Month | |
| Journal | Language & Communication |
| Volume | 29 |
| Number | 4 |
| Pages | 287–311 |
| URL | Link |
| DOI | 10.1016/j.langcom.2009.05.003 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
In this paper, I examine the interplay of language-specific factors and socio-cognitive motivations for the poetic construction of language and gesture in Japanese spatial narrative. By employing an ethnopoetic approach and analyzing the text, the body, and the environment in conjunction with the thematic cohesion via “catchment” [McNeill, D., 2004. Gesture and Thought. The University of Chicago Press, Chicago], I argue that speakers coordinately cue subtle shifts of the narrative phases in terms of forms, referents, and shifts of hand gestures. Based on this argument, I claim that not only linguistic but also multi-modal semiotic resources can substantially contribute to the achievement of holistic poetic configuration and an inter-subjective schema for narrative comprehension.
Notes
For part 2 see: Kataoka2010
