Difference between revisions of "Szczepek-Reed2010"

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{{BibEntry
 
{{BibEntry
 
|BibType=ARTICLE
 
|BibType=ARTICLE
|Author(s)=Beatrice Szczepek Reed;  
+
|Author(s)=Beatrice Szczepek Reed;
 
|Title=Prosody and alignment: A sequential perspective
 
|Title=Prosody and alignment: A sequential perspective
 
|Tag(s)=EMCA; IL; Prosody; Interaction; Sequence organization; Conversation Analysis;
 
|Tag(s)=EMCA; IL; Prosody; Interaction; Sequence organization; Conversation Analysis;
 
|Key=Szczepek-Reed2010
 
|Key=Szczepek-Reed2010
 
|Year=2010
 
|Year=2010
 +
|Language=English
 
|Journal=Cultural Studies of Science Education
 
|Journal=Cultural Studies of Science Education
 
|Volume=5
 
|Volume=5
 
|Number=4
 
|Number=4
|Pages=859-867
+
|Pages=859–867
 +
|URL=https://link.springer.com/article/10.1007%2Fs11422-010-9289-z
 
|DOI=10.1007/s11422-010-9289-z
 
|DOI=10.1007/s11422-010-9289-z
|Abstract=In their analysis of a corpus of classroom interactions in an inner city high
+
|Abstract=In their analysis of a corpus of classroom interactions in an inner city high school, Roth and Tobin describe how teachers and students accomplish interactional alignment by prosodically matching each other’s turns. Prosodic matching, and specific prosodic patterns are interpreted as signs of, and contributions to successful interactional outcomes and positive emotions. Lack of prosodic matching, and other specific prosodic patterns are interpreted as features of unsuccessful interactions, and negative emotions. This forum focuses on the article’s analysis of the relation between interpersonal alignment, emotion and prosody. It argues that prosodic matching, and other prosodic linking practices, play a primarily sequential role, i.e. one that displays the way in which participants place and design their turns in relation to other participants’ turns. Prosodic matching, rather than being a conversational action in itself, is argued to be an interactional practice (Schegloff 1997), which is not always employed for the accomplishment of ‘positive’, or aligning actions.
school, Roth and Tobin describe how teachers and students accomplish interactional
 
alignment by prosodically matching each other’s turns. Prosodic matching, and specific
 
prosodic patterns are interpreted as signs of, and contributions to successful interactional outcomes and positive emotions. Lack of prosodic matching, and other specific prosodic patterns are interpreted as features of unsuccessful interactions, and negative emotions. This forum focuses on the article’s analysis of the relation between interpersonal alignment, emotion and prosody. It argues that prosodic matching, and other prosodic linking practices, play a primarily sequential role, i.e. one that displays the way in which participants place and design their turns in relation to other participants’ turns. Prosodic matching, rather than being a conversational action in itself, is argued to be an interactional practice (Schegloff 1997), which is not always employed for the accomplishment of ‘positive’, or aligning actions.
 
 
}}
 
}}

Latest revision as of 01:30, 18 October 2019

Szczepek-Reed2010
BibType ARTICLE
Key Szczepek-Reed2010
Author(s) Beatrice Szczepek Reed
Title Prosody and alignment: A sequential perspective
Editor(s)
Tag(s) EMCA, IL, Prosody, Interaction, Sequence organization, Conversation Analysis
Publisher
Year 2010
Language English
City
Month
Journal Cultural Studies of Science Education
Volume 5
Number 4
Pages 859–867
URL Link
DOI 10.1007/s11422-010-9289-z
ISBN
Organization
Institution
School
Type
Edition
Series
Howpublished
Book title
Chapter

Download BibTex

Abstract

In their analysis of a corpus of classroom interactions in an inner city high school, Roth and Tobin describe how teachers and students accomplish interactional alignment by prosodically matching each other’s turns. Prosodic matching, and specific prosodic patterns are interpreted as signs of, and contributions to successful interactional outcomes and positive emotions. Lack of prosodic matching, and other specific prosodic patterns are interpreted as features of unsuccessful interactions, and negative emotions. This forum focuses on the article’s analysis of the relation between interpersonal alignment, emotion and prosody. It argues that prosodic matching, and other prosodic linking practices, play a primarily sequential role, i.e. one that displays the way in which participants place and design their turns in relation to other participants’ turns. Prosodic matching, rather than being a conversational action in itself, is argued to be an interactional practice (Schegloff 1997), which is not always employed for the accomplishment of ‘positive’, or aligning actions.

Notes