Difference between revisions of "Hazel2018"
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{{BibEntry | {{BibEntry | ||
| − | |BibType= | + | |BibType=INCOLLECTION |
| − | |Author(s)=Spencer Hazel; | + | |Author(s)=Spencer Hazel; |
|Title=Discovering Interactional Authenticity: Tracking Theatre Practitioners Across Rehearsals | |Title=Discovering Interactional Authenticity: Tracking Theatre Practitioners Across Rehearsals | ||
|Editor(s)=Simona Pekarek Doehler; Johannes Wagner; Esther González-Martínez; | |Editor(s)=Simona Pekarek Doehler; Johannes Wagner; Esther González-Martínez; | ||
| − | |Tag(s)=EMCA; Longitudinal Study; Acting; Theatre performance; | + | |Tag(s)=EMCA; Longitudinal Study; Acting; Theatre performance; |
|Key=Hazel2018 | |Key=Hazel2018 | ||
|Year=2018 | |Year=2018 | ||
| Line 13: | Line 13: | ||
|DOI=https://doi.org/10.1057/978-1-137-57007-9_9 | |DOI=https://doi.org/10.1057/978-1-137-57007-9_9 | ||
|Abstract=This study follows a group of actors over the course of a rehearsal period, as the theatre ensemble goes about the business of transforming a play-script into a performance. The analysis focuses on one short section of dialogue in the play, and follows the work that the actors do from their earliest attempts at staging this section through to the dress rehearsals. The chapter demonstrates how the actors modify the ways in which they format their actions, as they look to settle on a choreographed routine for representing the particular social actions described in the play-script. | |Abstract=This study follows a group of actors over the course of a rehearsal period, as the theatre ensemble goes about the business of transforming a play-script into a performance. The analysis focuses on one short section of dialogue in the play, and follows the work that the actors do from their earliest attempts at staging this section through to the dress rehearsals. The chapter demonstrates how the actors modify the ways in which they format their actions, as they look to settle on a choreographed routine for representing the particular social actions described in the play-script. | ||
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}} | }} | ||
Revision as of 08:54, 25 November 2018
| Hazel2018 | |
|---|---|
| BibType | INCOLLECTION |
| Key | Hazel2018 |
| Author(s) | Spencer Hazel |
| Title | Discovering Interactional Authenticity: Tracking Theatre Practitioners Across Rehearsals |
| Editor(s) | Simona Pekarek Doehler, Johannes Wagner, Esther González-Martínez |
| Tag(s) | EMCA, Longitudinal Study, Acting, Theatre performance |
| Publisher | |
| Year | 2018 |
| Language | English |
| City | |
| Month | |
| Journal | |
| Volume | |
| Number | |
| Pages | 255-283 |
| URL | Link |
| DOI | https://doi.org/10.1057/978-1-137-57007-9_9 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | Longitudinal Studies on the Organization of Social Interaction |
| Chapter | |
Abstract
This study follows a group of actors over the course of a rehearsal period, as the theatre ensemble goes about the business of transforming a play-script into a performance. The analysis focuses on one short section of dialogue in the play, and follows the work that the actors do from their earliest attempts at staging this section through to the dress rehearsals. The chapter demonstrates how the actors modify the ways in which they format their actions, as they look to settle on a choreographed routine for representing the particular social actions described in the play-script.
Notes
