Difference between revisions of "Ames2018"

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|Title=‘Ironic detachment': Locals laughing ‘at' the local on commercial breakfast radio
 
|Title=‘Ironic detachment': Locals laughing ‘at' the local on commercial breakfast radio
 
|Author(s)=Kate Ames;  
 
|Author(s)=Kate Ames;  
|Tag(s)=Australian studies; Chat-based radio; Conversation analysis; EMCA; Humour; Ironic detachment; Irony
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|Tag(s)=Australian studies; Chat-based radio; Conversation Analysis; EMCA; Humour; Ironic detachment; Irony
 
|BibType=ARTICLE
 
|BibType=ARTICLE
 
|Year=2018
 
|Year=2018

Revision as of 10:09, 16 May 2018

Ames2018
BibType ARTICLE
Key Ames2018
Author(s) Kate Ames
Title ‘Ironic detachment': Locals laughing ‘at' the local on commercial breakfast radio
Editor(s)
Tag(s) Australian studies, Chat-based radio, Conversation Analysis, EMCA, Humour, Ironic detachment, Irony
Publisher
Year 2018
Language
City
Month jan
Journal Journal of Pragmatics
Volume 123
Number
Pages 1–10
URL Link
DOI https://doi.org/10.1016/j.pragma.2017.11.006
ISBN
Organization
Institution
School
Type
Edition
Series
Howpublished
Book title
Chapter

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Abstract

Abstract The relationship between ‘Ironic detachment' and location was addressed by Sue Turnbull in her analysis of comedy use in Australian television series Kath and Kim and by comedian Barry Humphries in his performance as ‘Dame Edna'. In this, she examined how comedy allowed an audience to embrace their locality (in this case ‘suburbia') through laughter while at the same time allowing that audience to hold it “at a distance through ironic detachment” (Turnbull, 2008, p. 28). This perspective, she argued, depended on the audience's own position based on their own experience of life in the suburbs. In considering how this may be applied to regional context, which relies on a participant's particular experience of a particular ‘region' in Australia, this article examines the use of ‘ironic detachment' as a specific technique by radio program hosts on an Australian regional commercial breakfast program. It uses a combination of conversation and membership category analysis to analyse two particular host/host interactions. The article reveals the way in which program hosts use irony to laugh ‘at' that which is local while at the same time performing ‘being local' when interacting with one another to entertain their audience.

Notes