Difference between revisions of "Martinez2003"
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|BibType=ARTICLE | |BibType=ARTICLE | ||
|Author(s)=Esperanza Rama Martínez | |Author(s)=Esperanza Rama Martínez | ||
− | |Title=Accomplishing | + | |Title=Accomplishing closings in talk show interviews: a comparison with news interviews |
|Tag(s)=broadcast talk; closings; EMCA; talk show interviews | |Tag(s)=broadcast talk; closings; EMCA; talk show interviews | ||
|Key=Martinez2003 | |Key=Martinez2003 | ||
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|Number=3 | |Number=3 | ||
|Pages=283–302 | |Pages=283–302 | ||
− | |URL= | + | |URL=https://journals.sagepub.com/doi/abs/10.1177/14614456030053001 |
|DOI=10.1177/14614456030053001 | |DOI=10.1177/14614456030053001 | ||
|Abstract=This article investigates how talk show interviews are brought to an end. The closing process of televised talk shows is analysed and compared with Clayman's (1989) characterization of news interview closings. The study concludes that closings in both genres share features relating to the structural organization and the participants' behaviour which can be accounted for in terms of the institutional context in which the speech events take place. Nevertheless, the particular closing structure of each type of institutionally situated talk, as well as its content and style, is genre-specific and shaped by the specific goal pursued in each speech event and by the relationship between the parties to the encounter. Thus, unlike news interviews, the entertainment purpose of talk show interviews ultimately justifies the complexity of the closing structure, its interpersonal content and informal style. The presence of a studio audience also influences the closing format. | |Abstract=This article investigates how talk show interviews are brought to an end. The closing process of televised talk shows is analysed and compared with Clayman's (1989) characterization of news interview closings. The study concludes that closings in both genres share features relating to the structural organization and the participants' behaviour which can be accounted for in terms of the institutional context in which the speech events take place. Nevertheless, the particular closing structure of each type of institutionally situated talk, as well as its content and style, is genre-specific and shaped by the specific goal pursued in each speech event and by the relationship between the parties to the encounter. Thus, unlike news interviews, the entertainment purpose of talk show interviews ultimately justifies the complexity of the closing structure, its interpersonal content and informal style. The presence of a studio audience also influences the closing format. | ||
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Latest revision as of 01:13, 31 October 2019
Martinez2003 | |
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BibType | ARTICLE |
Key | Martinez2003 |
Author(s) | Esperanza Rama Martínez |
Title | Accomplishing closings in talk show interviews: a comparison with news interviews |
Editor(s) | |
Tag(s) | broadcast talk, closings, EMCA, talk show interviews |
Publisher | |
Year | 2003 |
Language | |
City | |
Month | |
Journal | Discourse Studies |
Volume | 5 |
Number | 3 |
Pages | 283–302 |
URL | Link |
DOI | 10.1177/14614456030053001 |
ISBN | |
Organization | |
Institution | |
School | |
Type | |
Edition | |
Series | |
Howpublished | |
Book title | |
Chapter |
Abstract
This article investigates how talk show interviews are brought to an end. The closing process of televised talk shows is analysed and compared with Clayman's (1989) characterization of news interview closings. The study concludes that closings in both genres share features relating to the structural organization and the participants' behaviour which can be accounted for in terms of the institutional context in which the speech events take place. Nevertheless, the particular closing structure of each type of institutionally situated talk, as well as its content and style, is genre-specific and shaped by the specific goal pursued in each speech event and by the relationship between the parties to the encounter. Thus, unlike news interviews, the entertainment purpose of talk show interviews ultimately justifies the complexity of the closing structure, its interpersonal content and informal style. The presence of a studio audience also influences the closing format.
Notes