Difference between revisions of "Schmidt2018"
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|Tag(s)=EMCA; Preparations; Theater rehearsal; Projection; Temporality; Multimodality | |Tag(s)=EMCA; Preparations; Theater rehearsal; Projection; Temporality; Multimodality | ||
|Key=Schmidt2018 | |Key=Schmidt2018 | ||
+ | |Publisher=John Benjamins | ||
|Year=2018 | |Year=2018 | ||
|Language=English | |Language=English | ||
− | |Booktitle=Time in Embodied Interaction: Synchronicity and | + | |Address=Amsterdam |
− | |Pages= | + | |Booktitle=Time in Embodied Interaction: Synchronicity and Sequentiality of Multimodal Resources |
+ | |Pages=231–260 | ||
|URL=https://benjamins.com/catalog/pbns.293.07sch | |URL=https://benjamins.com/catalog/pbns.293.07sch | ||
− | |DOI= | + | |DOI=10.1075/pbns.293.07sch |
|Abstract=Theater rehearsals have a characteristic temporal organization: They rely on fleeting (talk/embodied conduct) and endurable resources (e.g. manipulation of objects) to accomplish a stage play which has a defined shape. In doing this, participants have to bridge time gaps and they are therefore dependent on practices which are able to prefigure the future in a more sustainable way. Based on video recordings from theater rehearsals I will show the basic operation of these practices: While projections-by-arrangements anticipate the play world verbally, preparations produce material parts of the play world (e.g. attaching props). Finally, I consider more general implications of the differences between “verbalizing” (projections) and “materializing” (preparations) for the temporalities of interactional organization. | |Abstract=Theater rehearsals have a characteristic temporal organization: They rely on fleeting (talk/embodied conduct) and endurable resources (e.g. manipulation of objects) to accomplish a stage play which has a defined shape. In doing this, participants have to bridge time gaps and they are therefore dependent on practices which are able to prefigure the future in a more sustainable way. Based on video recordings from theater rehearsals I will show the basic operation of these practices: While projections-by-arrangements anticipate the play world verbally, preparations produce material parts of the play world (e.g. attaching props). Finally, I consider more general implications of the differences between “verbalizing” (projections) and “materializing” (preparations) for the temporalities of interactional organization. | ||
}} | }} |
Latest revision as of 01:03, 12 January 2020
Schmidt2018 | |
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BibType | INCOLLECTION |
Key | Schmidt2018 |
Author(s) | Axel Schmidt |
Title | Prefiguring the future: Projections and preparations within theatrical rehearsals |
Editor(s) | Arnulf Deppermann, Jürgen Streeck |
Tag(s) | EMCA, Preparations, Theater rehearsal, Projection, Temporality, Multimodality |
Publisher | John Benjamins |
Year | 2018 |
Language | English |
City | Amsterdam |
Month | |
Journal | |
Volume | |
Number | |
Pages | 231–260 |
URL | Link |
DOI | 10.1075/pbns.293.07sch |
ISBN | |
Organization | |
Institution | |
School | |
Type | |
Edition | |
Series | |
Howpublished | |
Book title | Time in Embodied Interaction: Synchronicity and Sequentiality of Multimodal Resources |
Chapter |
Abstract
Theater rehearsals have a characteristic temporal organization: They rely on fleeting (talk/embodied conduct) and endurable resources (e.g. manipulation of objects) to accomplish a stage play which has a defined shape. In doing this, participants have to bridge time gaps and they are therefore dependent on practices which are able to prefigure the future in a more sustainable way. Based on video recordings from theater rehearsals I will show the basic operation of these practices: While projections-by-arrangements anticipate the play world verbally, preparations produce material parts of the play world (e.g. attaching props). Finally, I consider more general implications of the differences between “verbalizing” (projections) and “materializing” (preparations) for the temporalities of interactional organization.
Notes