Difference between revisions of "Phillabaum2005"
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|Author(s)=Scott Phillabaum | |Author(s)=Scott Phillabaum | ||
|Title=Calibrating photographic vision through multiple semiotic resources | |Title=Calibrating photographic vision through multiple semiotic resources | ||
− | |Tag(s)=EMCA; Photography; Embodied interaction; Visual; | + | |Tag(s)=EMCA; Photography; Embodied interaction; Visual; |
|Key=Phillabaum2005 | |Key=Phillabaum2005 | ||
|Year=2005 | |Year=2005 | ||
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|Volume=156 | |Volume=156 | ||
|Number=1 | |Number=1 | ||
− | |Pages= | + | |Pages=147–175 |
|URL=https://www.degruyter.com/view/j/semi.2005.2005.issue-156/semi.2005.2005.156.147/semi.2005.2005.156.147.xml | |URL=https://www.degruyter.com/view/j/semi.2005.2005.issue-156/semi.2005.2005.156.147/semi.2005.2005.156.147.xml | ||
− | |DOI= | + | |DOI=10.1515/semi.2005.2005.156.147 |
|Abstract=Using data from videotaped recordings of photography workshops and critiques, this paper investigates the discursive practices used by photographers and apprentice photographers to transform events in their domain of professional scrutiny into the knowledge representative of their profession. Specifically, it investigates the linguistic and embodied practices photographers deploy and the mediated activities in which they engage in order to determine appropriate color balance in a photograph. | |Abstract=Using data from videotaped recordings of photography workshops and critiques, this paper investigates the discursive practices used by photographers and apprentice photographers to transform events in their domain of professional scrutiny into the knowledge representative of their profession. Specifically, it investigates the linguistic and embodied practices photographers deploy and the mediated activities in which they engage in order to determine appropriate color balance in a photograph. | ||
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Latest revision as of 11:05, 3 November 2019
Phillabaum2005 | |
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BibType | ARTICLE |
Key | Phillabaum2005 |
Author(s) | Scott Phillabaum |
Title | Calibrating photographic vision through multiple semiotic resources |
Editor(s) | |
Tag(s) | EMCA, Photography, Embodied interaction, Visual |
Publisher | |
Year | 2005 |
Language | English |
City | |
Month | |
Journal | Semiotica |
Volume | 156 |
Number | 1 |
Pages | 147–175 |
URL | Link |
DOI | 10.1515/semi.2005.2005.156.147 |
ISBN | |
Organization | |
Institution | |
School | |
Type | |
Edition | |
Series | |
Howpublished | |
Book title | |
Chapter |
Abstract
Using data from videotaped recordings of photography workshops and critiques, this paper investigates the discursive practices used by photographers and apprentice photographers to transform events in their domain of professional scrutiny into the knowledge representative of their profession. Specifically, it investigates the linguistic and embodied practices photographers deploy and the mediated activities in which they engage in order to determine appropriate color balance in a photograph.
Notes