Difference between revisions of "Geluykens1988"

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(Created page with "{{BibEntry |BibType=ARTICLE |Author(s)=Ronald Geluykens |Title=On the myth of rising intonation in polar questions |Tag(s)=IL; Prosody; Polar Questions; |Key=Geluykens1988 |Y...")
 
 
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|Author(s)=Ronald Geluykens
 
|Author(s)=Ronald Geluykens
 
|Title=On the myth of rising intonation in polar questions
 
|Title=On the myth of rising intonation in polar questions
|Tag(s)=IL; Prosody; Polar Questions;  
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|Tag(s)=IL; Prosody; Polar Questions;
 
|Key=Geluykens1988
 
|Key=Geluykens1988
 
|Year=1988
 
|Year=1988
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|Volume=12
 
|Volume=12
 
|Number=4
 
|Number=4
|Pages=467-485
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|Pages=467–485
|Abstract=Using an extensive corpus of conversational data, it is shown that the role of Rising  intonation (i.e. Rises, Fall-Rises, and Fall + Rises) in polar questions is overrated. Two types of polar - or 'yes/no'  - questions are investigated: Inversion-questions (e.g. Is this a question ?), and Queclara- tires  (e.g. This is a question?). In Inversion-questions, though Rising intonation is relatively  
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|URL=https://www.sciencedirect.com/science/article/abs/pii/0378216688900069
frequent, the most frequent tone, in absolute terms, is a Fall; moreover, intonation is not used to distingni.qh gemfine !nversion-questions f-,,m  inte~ogatives 
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|DOI=10.1016/0378-2166(88)90006-9
Rhetorical Questions and Requests. In Queclaratives, a Falling intonation contour is by far the most frequent pattern, mostly accompanied by a step-up in pitch in the Head of the Tone Unit. Attention is also paid to the Pitch Range of polar questions, and to Pausal aspects of Question - Answer pairs. In all, the claim that Rising intonation (and, more particul,aly, final Rises) is the  
+
|Abstract=Using an extensive corpus conversational data, it is shown that the role ofRising intonation (i.e. Rises, Fall-Rises, and Fall+Rises) in polar questions is overrated. Two types of polar - or ‘yes/no’ - questions are investigated: Inversion-questions (e.g. Is this a question?), and Queclaratives (e.g. This is a question?). In Inversion-questions, though Rising intonation is relatively frequent, the most frequent tone, in absolute terms, is a Fall; moreover, intonation is not used to distinguish genuine Inversion-questions from interrogatives without Question-status, such as Rhetorical Questions and Requests. In Queclaratives, a Falling intonation contour is by far the most frequent pattern, mostly accompanied by a step-up in pitch in the Head of the Tone Unit. Attention is also paid to the Pitch Range of polar questions, and to Pausal aspects of Question - Answer pairs. In all, the claim that Rising intonation (and, more particularly, final Rises) is the ‘normal’ pattern for polar questions lacks empirical justification.
'normal'  pattern for polar questions lacks empirical justification.  
 
 
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Latest revision as of 09:06, 21 October 2019

Geluykens1988
BibType ARTICLE
Key Geluykens1988
Author(s) Ronald Geluykens
Title On the myth of rising intonation in polar questions
Editor(s)
Tag(s) IL, Prosody, Polar Questions
Publisher
Year 1988
Language
City
Month
Journal Journal of Pragmatics
Volume 12
Number 4
Pages 467–485
URL Link
DOI 10.1016/0378-2166(88)90006-9
ISBN
Organization
Institution
School
Type
Edition
Series
Howpublished
Book title
Chapter

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Abstract

Using an extensive corpus conversational data, it is shown that the role ofRising intonation (i.e. Rises, Fall-Rises, and Fall+Rises) in polar questions is overrated. Two types of polar - or ‘yes/no’ - questions are investigated: Inversion-questions (e.g. Is this a question?), and Queclaratives (e.g. This is a question?). In Inversion-questions, though Rising intonation is relatively frequent, the most frequent tone, in absolute terms, is a Fall; moreover, intonation is not used to distinguish genuine Inversion-questions from interrogatives without Question-status, such as Rhetorical Questions and Requests. In Queclaratives, a Falling intonation contour is by far the most frequent pattern, mostly accompanied by a step-up in pitch in the Head of the Tone Unit. Attention is also paid to the Pitch Range of polar questions, and to Pausal aspects of Question - Answer pairs. In all, the claim that Rising intonation (and, more particularly, final Rises) is the ‘normal’ pattern for polar questions lacks empirical justification.

Notes