Difference between revisions of "Couper-Kuhlen-Selting-eds1996"
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|Author(s)=Elisabeth Couper-Kuhlen; Margret Selting, eds | |Author(s)=Elisabeth Couper-Kuhlen; Margret Selting, eds | ||
|Title=Prosody in conversation: Interactional studies | |Title=Prosody in conversation: Interactional studies | ||
− | |Tag(s)=EMCA; IL; Prosody; | + | |Tag(s)=EMCA; IL; Prosody; |
|Key=Couper-Kuhlen-Selting-eds1996 | |Key=Couper-Kuhlen-Selting-eds1996 | ||
|Publisher=Cambridge University Press | |Publisher=Cambridge University Press | ||
|Year=1996 | |Year=1996 | ||
− | |Address=Cambridge | + | |Address=Cambridge, U.K. |
+ | |URL=http://www.cambridge.org/nl/academic/subjects/languages-linguistics/sociolinguistics/prosody-conversation-interactional-studies?format=HB | ||
|Note=Paperback edition, 2006 | |Note=Paperback edition, 2006 | ||
|Abstract=The essays in this volume are all original contributions dealing in one way or another with the analysis of prosody - primarily intonation and rhythm - and the role it plays in everyday conversation. They take as their methodological starting point the contention that the study of prosody must begin with genuine interactional rather than pre fabricated laboratory data. Through close empirical analysis of recorded material from genuine English, German, and Italian conversations, the prosody emerges here as a strategy deployed by interactants in the management of turn-taking and floor-holding; in the negotiation of conversational activities such as repair, assessments, announcements, reproaches, and news receipts; and in the keying of the tone or modality of interactional sequences. | |Abstract=The essays in this volume are all original contributions dealing in one way or another with the analysis of prosody - primarily intonation and rhythm - and the role it plays in everyday conversation. They take as their methodological starting point the contention that the study of prosody must begin with genuine interactional rather than pre fabricated laboratory data. Through close empirical analysis of recorded material from genuine English, German, and Italian conversations, the prosody emerges here as a strategy deployed by interactants in the management of turn-taking and floor-holding; in the negotiation of conversational activities such as repair, assessments, announcements, reproaches, and news receipts; and in the keying of the tone or modality of interactional sequences. | ||
}} | }} |
Revision as of 06:45, 3 January 2017
Couper-Kuhlen-Selting-eds1996 | |
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BibType | BOOK |
Key | Couper-Kuhlen-Selting-eds1996 |
Author(s) | Elisabeth Couper-Kuhlen, Margret Selting, eds |
Title | Prosody in conversation: Interactional studies |
Editor(s) | |
Tag(s) | EMCA, IL, Prosody |
Publisher | Cambridge University Press |
Year | 1996 |
Language | |
City | Cambridge, U.K. |
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URL | Link |
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Abstract
The essays in this volume are all original contributions dealing in one way or another with the analysis of prosody - primarily intonation and rhythm - and the role it plays in everyday conversation. They take as their methodological starting point the contention that the study of prosody must begin with genuine interactional rather than pre fabricated laboratory data. Through close empirical analysis of recorded material from genuine English, German, and Italian conversations, the prosody emerges here as a strategy deployed by interactants in the management of turn-taking and floor-holding; in the negotiation of conversational activities such as repair, assessments, announcements, reproaches, and news receipts; and in the keying of the tone or modality of interactional sequences.
Notes
Paperback edition, 2006