Difference between revisions of "Furukawa2015"
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|Author(s)=Toshiaki Furukawa | |Author(s)=Toshiaki Furukawa | ||
|Title=Localizing humor through parodying white voice in Hawai'i stand-up comedy | |Title=Localizing humor through parodying white voice in Hawai'i stand-up comedy | ||
| − | |Tag(s)= | + | |Tag(s)=EMCA; Membership Categorization Analysis; represented talk; reported speech; Hawai'i Creole; Pidgin; stylization; comedy; ethnic humor; |
|Key=Furukawa2015 | |Key=Furukawa2015 | ||
|Year=2015 | |Year=2015 | ||
| − | |Journal=Text & Talk | + | |Language=English |
| + | |Journal=Text & Talk | ||
|Volume=35 | |Volume=35 | ||
|Number=6 | |Number=6 | ||
|Pages=845–869 | |Pages=845–869 | ||
| − | |URL=http://www.degruyter.com/view/j/text.2015.35.issue-6/text-2015-0022/text-2015-0022.xml | + | |URL=http://www.degruyter.com/view/j/text.2015.35.issue-6/text-2015-0022/text-2015-0022.xml |
|DOI=10.1515/text-2015-0022 | |DOI=10.1515/text-2015-0022 | ||
|Abstract=This discourse analytic study investigates the strategic use of represented talk and thought in Hawai‘i stand-up comedy performances. Utilizing the methods and findings of membership categorization, and stylization, I analyze how Local comedians make discursive contrasts by deploying Pidgin (Hawai‘i Creole) to voice Locals and by deploying “Haole” (‘white’) or racially parodied, mock English to voice non-Locals. Findings show that Local comedians and their audiences collaboratively manipulate and display their understanding of these culturally specific indexicals to co-create and localize humor. Analysis further shows that Local humor is a highly political act that is selectively designed for a particular sociolinguistic and cultural audience and sociopolitical context. | |Abstract=This discourse analytic study investigates the strategic use of represented talk and thought in Hawai‘i stand-up comedy performances. Utilizing the methods and findings of membership categorization, and stylization, I analyze how Local comedians make discursive contrasts by deploying Pidgin (Hawai‘i Creole) to voice Locals and by deploying “Haole” (‘white’) or racially parodied, mock English to voice non-Locals. Findings show that Local comedians and their audiences collaboratively manipulate and display their understanding of these culturally specific indexicals to co-create and localize humor. Analysis further shows that Local humor is a highly political act that is selectively designed for a particular sociolinguistic and cultural audience and sociopolitical context. | ||
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Latest revision as of 08:50, 16 December 2019
| Furukawa2015 | |
|---|---|
| BibType | ARTICLE |
| Key | Furukawa2015 |
| Author(s) | Toshiaki Furukawa |
| Title | Localizing humor through parodying white voice in Hawai'i stand-up comedy |
| Editor(s) | |
| Tag(s) | EMCA, Membership Categorization Analysis, represented talk, reported speech, Hawai'i Creole, Pidgin, stylization, comedy, ethnic humor |
| Publisher | |
| Year | 2015 |
| Language | English |
| City | |
| Month | |
| Journal | Text & Talk |
| Volume | 35 |
| Number | 6 |
| Pages | 845–869 |
| URL | Link |
| DOI | 10.1515/text-2015-0022 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
This discourse analytic study investigates the strategic use of represented talk and thought in Hawai‘i stand-up comedy performances. Utilizing the methods and findings of membership categorization, and stylization, I analyze how Local comedians make discursive contrasts by deploying Pidgin (Hawai‘i Creole) to voice Locals and by deploying “Haole” (‘white’) or racially parodied, mock English to voice non-Locals. Findings show that Local comedians and their audiences collaboratively manipulate and display their understanding of these culturally specific indexicals to co-create and localize humor. Analysis further shows that Local humor is a highly political act that is selectively designed for a particular sociolinguistic and cultural audience and sociopolitical context.
Notes
