Difference between revisions of "Zaunbrecher2018"
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|BibType=ARTICLE | |BibType=ARTICLE | ||
|Author(s)=Nicolas j. Zaunbrecher | |Author(s)=Nicolas j. Zaunbrecher | ||
− | |Title=Viewing | + | |Title=Viewing spontaneity ethnomethodologically |
|Tag(s)=EMCA; Spontaneity; Improvisation; Ethnomethodology; Rhetorical analysis; Improvisational theatre; | |Tag(s)=EMCA; Spontaneity; Improvisation; Ethnomethodology; Rhetorical analysis; Improvisational theatre; | ||
|Key=Zaunbrecher2018 | |Key=Zaunbrecher2018 | ||
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|Volume=41 | |Volume=41 | ||
|Number=1 | |Number=1 | ||
− | |Pages= | + | |Pages=1–20 |
− | | | + | |URL=https://link.springer.com/article/10.1007%2Fs10746-017-9442-8 |
− | |Abstract= | + | |DOI=10.1007/s10746-017-9442-8 |
− | + | |Abstract=In this article, I identify “spontaneity” as a significant but poorly-analyzed term in social theory and description through an overview of tensions between varying technical accounts of spontaneity in research literature. In contrast to conceptually-slippery “realist” accounts of spontaneity, I argue for viewing spontaneity ethnomethodologically, i.e., as a contextually-emergent social practice. I suggest two directions for future applications of this approach: first, an ethnomethodological approach to rhetorical analysis of unanalyzed use of the term “spontaneity” in research literature, and second, observational studies of improvisational theatre, a social practice in which orientation toward the production of spontaneity by participants is criterial to the identity of the practice. | |
− | varying technical accounts of spontaneity in research literature. In contrast to | ||
− | conceptually-slippery | ||
− | |||
− | suggest two directions for future applications of this approach: | ||
− | |||
− | |||
− | |||
− | spontaneity by participants is criterial to the identity of the practice. | ||
}} | }} |
Latest revision as of 03:22, 11 January 2020
Zaunbrecher2018 | |
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BibType | ARTICLE |
Key | Zaunbrecher2018 |
Author(s) | Nicolas j. Zaunbrecher |
Title | Viewing spontaneity ethnomethodologically |
Editor(s) | |
Tag(s) | EMCA, Spontaneity, Improvisation, Ethnomethodology, Rhetorical analysis, Improvisational theatre |
Publisher | |
Year | 2018 |
Language | English |
City | |
Month | |
Journal | Human Studies |
Volume | 41 |
Number | 1 |
Pages | 1–20 |
URL | Link |
DOI | 10.1007/s10746-017-9442-8 |
ISBN | |
Organization | |
Institution | |
School | |
Type | |
Edition | |
Series | |
Howpublished | |
Book title | |
Chapter |
Abstract
In this article, I identify “spontaneity” as a significant but poorly-analyzed term in social theory and description through an overview of tensions between varying technical accounts of spontaneity in research literature. In contrast to conceptually-slippery “realist” accounts of spontaneity, I argue for viewing spontaneity ethnomethodologically, i.e., as a contextually-emergent social practice. I suggest two directions for future applications of this approach: first, an ethnomethodological approach to rhetorical analysis of unanalyzed use of the term “spontaneity” in research literature, and second, observational studies of improvisational theatre, a social practice in which orientation toward the production of spontaneity by participants is criterial to the identity of the practice.
Notes