Difference between revisions of "Torre-Loesche2016"
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|BibType=ARTICLE | |BibType=ARTICLE | ||
|Author(s)=Ilaria Torre; Frank Loesche | |Author(s)=Ilaria Torre; Frank Loesche | ||
− | |Title=Overcoming | + | |Title=Overcoming impasses in conversations: a creative business |
− | |Tag(s)=EMCA; Impasse; | + | |Tag(s)=EMCA; Impasse; |
|Key=Torre-Loesche2016 | |Key=Torre-Loesche2016 | ||
|Year=2016 | |Year=2016 | ||
+ | |Language=English | ||
|Journal=Creativity: Theories-Research-Applications | |Journal=Creativity: Theories-Research-Applications | ||
|Volume=3 | |Volume=3 | ||
|Number=2 | |Number=2 | ||
+ | |Pages=244–260 | ||
|URL=https://www.degruyter.com/downloadpdf/j/ctra.2016.3.issue-2/ctra-2016-0016/ctra-2016-0016.xml | |URL=https://www.degruyter.com/downloadpdf/j/ctra.2016.3.issue-2/ctra-2016-0016/ctra-2016-0016.xml | ||
|DOI=10.1515/ctra-2016-0016 | |DOI=10.1515/ctra-2016-0016 | ||
− | |Abstract=The ability to communicate complex meanings is a specific | + | |Abstract=The ability to communicate complex meanings is a specific human ability which plays a crucial role in social interactions. A habitual example of these interactions is conversation. However, we observe that spontaneous conversation often hits an impasse when none of the interlocutors immediately produces a follow-up utterance. The existence of impasses in conversations, and the way that interlocutors overcome them provide evidence for our argument that conversation is a sequence of creative problem solving. In this work we use techniques from Conversation Analysis (CA) on publicly available databases of naturally-occurring speech and we suggest a framework to understand how impasses are reached and overcome. As a result, we hope to reveal yet another instance of the bond between language and creativity. |
− | human ability which plays a crucial role in social interactions. | ||
− | A habitual example of these interactions is conversation. | ||
− | However, we observe that spontaneous conversation often | ||
− | hits an impasse when none of the interlocutors immediately | ||
− | produces a follow-up utterance. The existence of impasses in | ||
− | conversations, and the way that interlocutors overcome them | ||
− | provide evidence for our argument that conversation is a sequence | ||
− | of creative problem solving. In this work we use techniques | ||
− | from Conversation Analysis (CA) on publicly available | ||
− | databases of naturally-occurring speech and we suggest | ||
− | a framework to understand how impasses are reached and | ||
− | overcome. As a result, we hope to reveal yet another instance | ||
− | of the bond between language and creativity. | ||
}} | }} |
Latest revision as of 11:03, 22 December 2019
Torre-Loesche2016 | |
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BibType | ARTICLE |
Key | Torre-Loesche2016 |
Author(s) | Ilaria Torre, Frank Loesche |
Title | Overcoming impasses in conversations: a creative business |
Editor(s) | |
Tag(s) | EMCA, Impasse |
Publisher | |
Year | 2016 |
Language | English |
City | |
Month | |
Journal | Creativity: Theories-Research-Applications |
Volume | 3 |
Number | 2 |
Pages | 244–260 |
URL | Link |
DOI | 10.1515/ctra-2016-0016 |
ISBN | |
Organization | |
Institution | |
School | |
Type | |
Edition | |
Series | |
Howpublished | |
Book title | |
Chapter |
Abstract
The ability to communicate complex meanings is a specific human ability which plays a crucial role in social interactions. A habitual example of these interactions is conversation. However, we observe that spontaneous conversation often hits an impasse when none of the interlocutors immediately produces a follow-up utterance. The existence of impasses in conversations, and the way that interlocutors overcome them provide evidence for our argument that conversation is a sequence of creative problem solving. In this work we use techniques from Conversation Analysis (CA) on publicly available databases of naturally-occurring speech and we suggest a framework to understand how impasses are reached and overcome. As a result, we hope to reveal yet another instance of the bond between language and creativity.
Notes