Difference between revisions of "Licoppe2012a"
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|BibType=ARTICLE | |BibType=ARTICLE | ||
|Author(s)=Christian Licoppe; Julien Morel; | |Author(s)=Christian Licoppe; Julien Morel; | ||
| − | |Title=Video-in- | + | |Title=Video-in-interaction: “talking heads” and the multimodal organization of mobile and Skype video calls |
|Tag(s)=EMCA | |Tag(s)=EMCA | ||
|Key=Licoppe2012a | |Key=Licoppe2012a | ||
|Year=2012 | |Year=2012 | ||
|Journal=Research on Language and Social Interaction | |Journal=Research on Language and Social Interaction | ||
| − | |Number= | + | |Volume=45 |
| − | |Pages= | + | |Number=4 |
| + | |Pages=399–429 | ||
|URL=http://www.tandfonline.com/doi/abs/10.1080/08351813.2012.724996 | |URL=http://www.tandfonline.com/doi/abs/10.1080/08351813.2012.724996 | ||
|DOI=10.1080/08351813.2012.724996 | |DOI=10.1080/08351813.2012.724996 | ||
| + | |Abstract=In this article, we report a study of the uses of mobile video telephony based on the collection and analysis of naturally occurring mobile and Skype video exchanges, with a focus on camera motions. We provide evidence for a set of phenomena characteristic of the organization of “video-in-interaction”: (a) mobile and Skype video calls are patterned, often alternating between a “talking heads” arrangement, in which both participants are on-screen and facing the camera, and moments in which they are producing various shots of their environment in line with their current interactional purposes; (b) openings occur almost always in the talking heads arrangement; (c) the video images on either side are produced and expected to be scrutinized with respect to their relevance to the ongoing interaction; (d) the talking heads arrangement is oriented to a default mode of interaction, with the implication that when there is nothing else relevant to show, the participants should show themselves on-screen; (e) in multiparty interactions, the party who is handling the video communication apparatus has an obligation to put other speakers on-screen when they talk, and the video callers orient to their appearance on-screen as making a distinctive participation status relevant. We show how these phenomena all derive from an orientation toward a single maxim, “put the face of the current speaker on-screen,” which plays a foundational role in the organization of video-in-interaction and its articulation with that of talk-in-interaction. | ||
}} | }} | ||
Latest revision as of 09:02, 30 November 2019
| Licoppe2012a | |
|---|---|
| BibType | ARTICLE |
| Key | Licoppe2012a |
| Author(s) | Christian Licoppe, Julien Morel |
| Title | Video-in-interaction: “talking heads” and the multimodal organization of mobile and Skype video calls |
| Editor(s) | |
| Tag(s) | EMCA |
| Publisher | |
| Year | 2012 |
| Language | |
| City | |
| Month | |
| Journal | Research on Language and Social Interaction |
| Volume | 45 |
| Number | 4 |
| Pages | 399–429 |
| URL | Link |
| DOI | 10.1080/08351813.2012.724996 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
In this article, we report a study of the uses of mobile video telephony based on the collection and analysis of naturally occurring mobile and Skype video exchanges, with a focus on camera motions. We provide evidence for a set of phenomena characteristic of the organization of “video-in-interaction”: (a) mobile and Skype video calls are patterned, often alternating between a “talking heads” arrangement, in which both participants are on-screen and facing the camera, and moments in which they are producing various shots of their environment in line with their current interactional purposes; (b) openings occur almost always in the talking heads arrangement; (c) the video images on either side are produced and expected to be scrutinized with respect to their relevance to the ongoing interaction; (d) the talking heads arrangement is oriented to a default mode of interaction, with the implication that when there is nothing else relevant to show, the participants should show themselves on-screen; (e) in multiparty interactions, the party who is handling the video communication apparatus has an obligation to put other speakers on-screen when they talk, and the video callers orient to their appearance on-screen as making a distinctive participation status relevant. We show how these phenomena all derive from an orientation toward a single maxim, “put the face of the current speaker on-screen,” which plays a foundational role in the organization of video-in-interaction and its articulation with that of talk-in-interaction.
Notes
