Difference between revisions of "Nash1980"
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{{BibEntry | {{BibEntry | ||
|BibType=ARTICLE | |BibType=ARTICLE | ||
| − | |Author(s)=Jeffrey E. | + | |Author(s)=Jeffrey E. Nash |
| − | |Title=Lying | + | |Title=Lying about running: the functions of talk in a scene |
|Tag(s)=EMCA; Sport; Running; Team identity; Lying; | |Tag(s)=EMCA; Sport; Running; Team identity; Lying; | ||
|Key=Nash1980 | |Key=Nash1980 | ||
| Line 10: | Line 10: | ||
|Volume=3 | |Volume=3 | ||
|Number=2 | |Number=2 | ||
| − | |Pages= | + | |Pages=83–99 |
| − | |Abstract=The | + | |URL=https://link.springer.com/article/10.1007/BF00987265 |
| − | + | |DOI=10.1007/BF00987265 | |
| − | interrelated use of conversational forms and the presentation of a | + | |Abstract=The running scene rests upon a system of beliefs (a code) about the “qualities” of running performances. Membership in the scene entails the interrelated use of conversational forms and the presentation of a “team” identity. The forms consist of nomic talk, ritualized lying and code truth telling. Within each form, the runner may “lie” about or manage information regarding running performances in order to construct, maintain or attack the system of beliefs. The “lie,” then, plays a major role in the scene as a device of social interaction. |
| − | identity. | ||
| − | telling. Within | ||
| − | |||
| − | |||
| − | a device of social interaction. | ||
}} | }} | ||
Latest revision as of 23:38, 27 October 2019
| Nash1980 | |
|---|---|
| BibType | ARTICLE |
| Key | Nash1980 |
| Author(s) | Jeffrey E. Nash |
| Title | Lying about running: the functions of talk in a scene |
| Editor(s) | |
| Tag(s) | EMCA, Sport, Running, Team identity, Lying |
| Publisher | |
| Year | 1980 |
| Language | English |
| City | |
| Month | |
| Journal | Qualitative Sociology |
| Volume | 3 |
| Number | 2 |
| Pages | 83–99 |
| URL | Link |
| DOI | 10.1007/BF00987265 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
The running scene rests upon a system of beliefs (a code) about the “qualities” of running performances. Membership in the scene entails the interrelated use of conversational forms and the presentation of a “team” identity. The forms consist of nomic talk, ritualized lying and code truth telling. Within each form, the runner may “lie” about or manage information regarding running performances in order to construct, maintain or attack the system of beliefs. The “lie,” then, plays a major role in the scene as a device of social interaction.
Notes
