Difference between revisions of "Couper-Kuhlen2001"

From emcawiki
Jump to: navigation, search
(Created page with "{{BibEntry |BibType=ARTICLE |Author(s)=Elizabeth Couper-Kuhlen; |Title=Interactional prosody: High onsets in reason-for-the-call turns |Tag(s)=EMCA; IL; Prosody; Reason-for-a...")
 
 
(One intermediate revision by one other user not shown)
Line 1: Line 1:
 
{{BibEntry
 
{{BibEntry
 
|BibType=ARTICLE
 
|BibType=ARTICLE
|Author(s)=Elizabeth Couper-Kuhlen;  
+
|Author(s)=Elizabeth Couper-Kuhlen;
 
|Title=Interactional prosody: High onsets in reason-for-the-call turns
 
|Title=Interactional prosody: High onsets in reason-for-the-call turns
|Tag(s)=EMCA; IL; Prosody; Reason-for-a-call; intonation; conversational interaction; radio talk; onset level; contextualization; theory, multi-unit turn construction, spoken paratone)
+
|Tag(s)=EMCA; IL; Prosody; Reason-for-a-call; intonation; conversational interaction; radio talk; onset level; contextualization; theory; multi-unit turn construction; spoken paratone)
 
|Key=Couper-Kuhlen2001
 
|Key=Couper-Kuhlen2001
 
|Year=2001
 
|Year=2001
 
|Journal=Language in Society
 
|Journal=Language in Society
 
|Volume=30
 
|Volume=30
|Pages=29-53
+
|Number=1
|Abstract=The present study demonstrates how prosody – specifically, onset level –
+
|Pages=29–53
is deployed in situated interaction to cue frames of interpretation for talk.
+
|URL=https://www.cambridge.org/core/journals/language-in-society/article/interactional-prosody-high-onsets-in-reasonforthecall-turns/7CBF5D8BFB85586FDFF1F42A1CBA7A82
It shows not only that final pitch level in intonational contours is a rele-
+
|DOI=10.1017/S0047404501001026
vant parameter, but also that, under certain conditions, initial pitch level
+
|Abstract=The present study demonstrates how prosody – specifically, onset level – is deployed in situated interaction to cue frames of interpretation for talk. It shows not only that final pitch level in intonational contours is a relevant parameter, but also that, under certain conditions, initial pitch level may provide a situationally specific contextualization cue. In calls to radio phone-in programs, for instance, there is a so-called anchor position where callers can be expected to announce the reason for their calls. Close empirical analysis of data from such a program reveals that it is here that the first turn-constructional unit is routinely formatted with high onset. The studio moderator displays an orientation to this kind of prosodic formatting by withholding further talk until the caller has made a recognizably complete statement of the reason for the call. On occasion, turn-constructional units in anchor position are heard to lack a high onset. When this happens, the moderator responds in a way that shows he is not treating callers' talk as the reason for the call, but rather as a preface to the statement of reason.
may provide a situationally specific contextualization cue. In calls to ra-
 
dio phone-in programs, for instance, there is a so-called anchor position
 
where callers can be expected to announce the reason for their calls. Close
 
empirical analysis of data from such a program reveals that it is here that
 
the first turn-constructional unit is routinely formatted with high onset.
 
The studio moderator displays an orientation to this kind of prosodic for-
 
matting by withholding further talk until the caller has made a recogniz-
 
ably complete statement of the reason for the call. On occasion, turn-
 
constructional units in anchor position are heard to lack a high onset.When
 
this happens, the moderator responds in a way that shows he is not treat-
 
ing callers’ talk as the reason for the call, but rather as a preface to the
 
statement of reason.  
 
 
}}
 
}}

Latest revision as of 07:34, 18 October 2019

Couper-Kuhlen2001
BibType ARTICLE
Key Couper-Kuhlen2001
Author(s) Elizabeth Couper-Kuhlen
Title Interactional prosody: High onsets in reason-for-the-call turns
Editor(s)
Tag(s) EMCA, IL, Prosody, Reason-for-a-call, intonation, conversational interaction, radio talk, onset level, contextualization, theory, multi-unit turn construction, spoken paratone)
Publisher
Year 2001
Language
City
Month
Journal Language in Society
Volume 30
Number 1
Pages 29–53
URL Link
DOI 10.1017/S0047404501001026
ISBN
Organization
Institution
School
Type
Edition
Series
Howpublished
Book title
Chapter

Download BibTex

Abstract

The present study demonstrates how prosody – specifically, onset level – is deployed in situated interaction to cue frames of interpretation for talk. It shows not only that final pitch level in intonational contours is a relevant parameter, but also that, under certain conditions, initial pitch level may provide a situationally specific contextualization cue. In calls to radio phone-in programs, for instance, there is a so-called anchor position where callers can be expected to announce the reason for their calls. Close empirical analysis of data from such a program reveals that it is here that the first turn-constructional unit is routinely formatted with high onset. The studio moderator displays an orientation to this kind of prosodic formatting by withholding further talk until the caller has made a recognizably complete statement of the reason for the call. On occasion, turn-constructional units in anchor position are heard to lack a high onset. When this happens, the moderator responds in a way that shows he is not treating callers' talk as the reason for the call, but rather as a preface to the statement of reason.

Notes