Difference between revisions of "Nishizaka2000"
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|Author(s)=Aug Nishizaka; | |Author(s)=Aug Nishizaka; | ||
|Title=Seeing What One Sees: Perception, Emotion, and Activity | |Title=Seeing What One Sees: Perception, Emotion, and Activity | ||
| − | |Tag(s)=EMCA; Seeing; Visual conduct; Emotion; Perception; | + | |Tag(s)=EMCA; Seeing; Visual conduct; Emotion; Perception; Visual; Embodied interaction; |
|Key=Nishizaka2000 | |Key=Nishizaka2000 | ||
|Year=2000 | |Year=2000 | ||
| Line 11: | Line 11: | ||
|Number=1-2 | |Number=1-2 | ||
|Pages=105-123 | |Pages=105-123 | ||
| + | |URL=http://www.tandfonline.com/doi/abs/10.1080/10749039.2000.9677650 | ||
|DOI=10.1080/10749039.2000.9677650 | |DOI=10.1080/10749039.2000.9677650 | ||
|Abstract=In this article, it is demonstrated (a) how seeing is organized in the spatiotemporal arrangement of bodies and conduct within which the participants display and manage their orientations to the ongoing activity, and (b) how seeing and emotion are mutually constituted in the precise coordination of conduct and how they, can constitute resources for organizing the ongoing activity. The view advanced in this article sharply contradicts the traditional conception of visual perception, according to which the verb | |Abstract=In this article, it is demonstrated (a) how seeing is organized in the spatiotemporal arrangement of bodies and conduct within which the participants display and manage their orientations to the ongoing activity, and (b) how seeing and emotion are mutually constituted in the precise coordination of conduct and how they, can constitute resources for organizing the ongoing activity. The view advanced in this article sharply contradicts the traditional conception of visual perception, according to which the verb | ||
“see” names a discrete process, event, or state hidden under the individual’s skin. Seeing is rather an organizational feature of an embodied, visible activity. | “see” names a discrete process, event, or state hidden under the individual’s skin. Seeing is rather an organizational feature of an embodied, visible activity. | ||
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Latest revision as of 21:02, 25 October 2017
| Nishizaka2000 | |
|---|---|
| BibType | ARTICLE |
| Key | Nishizaka2000 |
| Author(s) | Aug Nishizaka |
| Title | Seeing What One Sees: Perception, Emotion, and Activity |
| Editor(s) | |
| Tag(s) | EMCA, Seeing, Visual conduct, Emotion, Perception, Visual, Embodied interaction |
| Publisher | |
| Year | 2000 |
| Language | English |
| City | |
| Month | |
| Journal | Mind, Culture, and Activity |
| Volume | 7 |
| Number | 1-2 |
| Pages | 105-123 |
| URL | Link |
| DOI | 10.1080/10749039.2000.9677650 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
In this article, it is demonstrated (a) how seeing is organized in the spatiotemporal arrangement of bodies and conduct within which the participants display and manage their orientations to the ongoing activity, and (b) how seeing and emotion are mutually constituted in the precise coordination of conduct and how they, can constitute resources for organizing the ongoing activity. The view advanced in this article sharply contradicts the traditional conception of visual perception, according to which the verb “see” names a discrete process, event, or state hidden under the individual’s skin. Seeing is rather an organizational feature of an embodied, visible activity.
Notes
