Difference between revisions of "Whalen2002"
BogdanaHuma (talk | contribs) (BibTeX auto import 2018-01-02 09:54:41) |
PaultenHave (talk | contribs) m |
||
| Line 1: | Line 1: | ||
{{BibEntry | {{BibEntry | ||
| − | | | + | |BibType=ARTICLE |
| − | | | + | |Author(s)=Jack Whalen; Marilyn R. Whalen; Kathryn Henderson; |
|Title=Improvisational choreography in teleservice work | |Title=Improvisational choreography in teleservice work | ||
| − | |||
|Tag(s)=EMCA; Ethnomethology; Work; Computers; Labour; Technology; Teleservice; Customer service; Institutional conversation analysis | |Tag(s)=EMCA; Ethnomethology; Work; Computers; Labour; Technology; Teleservice; Customer service; Institutional conversation analysis | ||
| − | | | + | |Key=Whalen2002 |
| − | |||
|Year=2002 | |Year=2002 | ||
| − | |||
|Journal=British Journal of Sociology | |Journal=British Journal of Sociology | ||
|Volume=53 | |Volume=53 | ||
| Line 15: | Line 12: | ||
|URL=http://doi.wiley.com/10.1080/00071310220133322 | |URL=http://doi.wiley.com/10.1080/00071310220133322 | ||
|DOI=10.1080/00071310220133322 | |DOI=10.1080/00071310220133322 | ||
| + | |Abstract=This naturalistic study of the ordinary work practice of sales representatives | ||
| + | employed by the call centre of a large of ce-equipment company focuses on the | ||
| + | actions of those sales reps during their calls with customers. We show how this | ||
| + | work performance is organized through an improvisational choreography of | ||
| + | action involving not only the turn-by-turn interchange with customers on the | ||
| + | telephone but also the concurrent utilization of a variety of tools and artefacts. | ||
| + | While ‘improvise’ and ‘choreograph’ may appear to be conceptually incongru- | ||
| + | ent, our analysis demonstrates that even though these teleservice workers recur- | ||
| + | rently fabricate their actions out of materials and means that are conveniently on | ||
| + | hand, the convenience is often carefully arranged to afford such extemporane- | ||
| + | ous composition. Finally, we conclude from this analysis that the traditional | ||
| + | topics of ‘work routines’ and ‘routinization’ need to be respeci ed in order to | ||
| + | take into account how any ‘routine’ is a contingently produced result (and in this | ||
| + | centre, a craft-like performance). | ||
}} | }} | ||
Revision as of 09:17, 22 July 2019
| Whalen2002 | |
|---|---|
| BibType | ARTICLE |
| Key | Whalen2002 |
| Author(s) | Jack Whalen, Marilyn R. Whalen, Kathryn Henderson |
| Title | Improvisational choreography in teleservice work |
| Editor(s) | |
| Tag(s) | EMCA, Ethnomethology, Work, Computers, Labour, Technology, Teleservice, Customer service, Institutional conversation analysis |
| Publisher | |
| Year | 2002 |
| Language | |
| City | |
| Month | |
| Journal | British Journal of Sociology |
| Volume | 53 |
| Number | 2 |
| Pages | 239–258 |
| URL | Link |
| DOI | 10.1080/00071310220133322 |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | |
| Chapter | |
Abstract
This naturalistic study of the ordinary work practice of sales representatives employed by the call centre of a large of ce-equipment company focuses on the actions of those sales reps during their calls with customers. We show how this work performance is organized through an improvisational choreography of action involving not only the turn-by-turn interchange with customers on the telephone but also the concurrent utilization of a variety of tools and artefacts. While ‘improvise’ and ‘choreograph’ may appear to be conceptually incongru- ent, our analysis demonstrates that even though these teleservice workers recur- rently fabricate their actions out of materials and means that are conveniently on hand, the convenience is often carefully arranged to afford such extemporane- ous composition. Finally, we conclude from this analysis that the traditional topics of ‘work routines’ and ‘routinization’ need to be respeci ed in order to take into account how any ‘routine’ is a contingently produced result (and in this centre, a craft-like performance).
Notes
