Difference between revisions of "Kreplak2014"
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|Title=Artworks as touchable objects: Guiding perception in a museum tour for blind people | |Title=Artworks as touchable objects: Guiding perception in a museum tour for blind people | ||
|Editor(s)=Maurice Nevile; Pentti Haddington; Trine Heinemann; Mirka Rauniomaa; | |Editor(s)=Maurice Nevile; Pentti Haddington; Trine Heinemann; Mirka Rauniomaa; | ||
| − | |Tag(s)=EMCA; | + | |Tag(s)=EMCA; |
|Key=Kreplak2014 | |Key=Kreplak2014 | ||
|Publisher=John Benjamins | |Publisher=John Benjamins | ||
|Year=2014 | |Year=2014 | ||
| + | |Language=English | ||
|Address=Amsterdam/Philadelphia | |Address=Amsterdam/Philadelphia | ||
| − | |Booktitle=Interacting with | + | |Booktitle=Interacting with Objects: Language, Materiality, and Social Activity |
| − | |Pages= | + | |Pages=295–318 |
| + | |URL=https://benjamins.com/catalog/z.186.13kre | ||
| + | |DOI=10.1075/z.186.13kre | ||
| + | |Abstract=In this chapter we contribute to the description of the interactional accomplishment of object use, by raising the following question “what kind of objects are artworks?”, and consequently, “what kind of interactional practices do they configure?”. By focusing on video-analysis of a guided tour for visually impaired persons (VIPs) allowed to touch artworks, we propose a praxeological analysis of situated procedures of artworks’ formulation and palpation, opening on a reflection on aesthetic touch – both about the way it is reflexively accomplished and the way tactile experience is collectively and sequentially organised in interaction. | ||
}} | }} | ||
Latest revision as of 09:55, 9 December 2019
| Kreplak2014 | |
|---|---|
| BibType | INCOLLECTION |
| Key | Kreplak2014 |
| Author(s) | Yaël Kreplak, Chloé Mondémé |
| Title | Artworks as touchable objects: Guiding perception in a museum tour for blind people |
| Editor(s) | Maurice Nevile, Pentti Haddington, Trine Heinemann, Mirka Rauniomaa |
| Tag(s) | EMCA |
| Publisher | John Benjamins |
| Year | 2014 |
| Language | English |
| City | Amsterdam/Philadelphia |
| Month | |
| Journal | |
| Volume | |
| Number | |
| Pages | 295–318 |
| URL | Link |
| DOI | 10.1075/z.186.13kre |
| ISBN | |
| Organization | |
| Institution | |
| School | |
| Type | |
| Edition | |
| Series | |
| Howpublished | |
| Book title | Interacting with Objects: Language, Materiality, and Social Activity |
| Chapter | |
Abstract
In this chapter we contribute to the description of the interactional accomplishment of object use, by raising the following question “what kind of objects are artworks?”, and consequently, “what kind of interactional practices do they configure?”. By focusing on video-analysis of a guided tour for visually impaired persons (VIPs) allowed to touch artworks, we propose a praxeological analysis of situated procedures of artworks’ formulation and palpation, opening on a reflection on aesthetic touch – both about the way it is reflexively accomplished and the way tactile experience is collectively and sequentially organised in interaction.
Notes
