Difference between revisions of "Albert2015"

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|BibType=ARTICLE
 
|BibType=ARTICLE
 
|Author(s)=Saul Albert
 
|Author(s)=Saul Albert
|Title=Rhythmical coordination of performers and audience in partner dance: delineating improvised
+
|Title=Rhythmical coordination of performers and audience in partner dance: delineating improvised and choreographed interaction
and choreographed interaction
 
 
|Tag(s)=Dance; EMCA; improvisation; Rhythm; Ethnomethodology; Interaction; aesthetics;
 
|Tag(s)=Dance; EMCA; improvisation; Rhythm; Ethnomethodology; Interaction; aesthetics;
 
|Key=Albert2015
 
|Key=Albert2015
 
|Year=2015
 
|Year=2015
|Month=dec
+
|Language=English
 
|Journal=Etnografia e ricerca qualitativa
 
|Journal=Etnografia e ricerca qualitativa
|Volume=3
+
|Number=3
|Pages=399-428
+
|Pages=399–428
|URL=http://saulalbert.net/wp-content/uploads/2016/03/Saul_Albert-2015-Rhythmical_Coordination-author-copy.pdf
+
|URL=https://www.rivisteweb.it/doi/10.3240/81723
 
|DOI=10.3240/81723
 
|DOI=10.3240/81723
 
|Abstract=This paper explores rhythm in social interaction by analysing how partner dancers and audience members move together during a performance. The analysis draws an empirical distinction between choreographed and improvised movements by tracking the ways participants deal with variations in the projectability and contingencies of upcoming movements. A detailed specification of temporal patterns and relationships between rhythms shows how different rhythms are used as interactional resources. Systematic disruptions to their rhythmical clapping show how audience members work with dancers to sustain the accountability and relevance of mutual coordination; this reveals how dancers initiate, sustain and complete distinct phases of spontaneous movement as embodied social action.
 
|Abstract=This paper explores rhythm in social interaction by analysing how partner dancers and audience members move together during a performance. The analysis draws an empirical distinction between choreographed and improvised movements by tracking the ways participants deal with variations in the projectability and contingencies of upcoming movements. A detailed specification of temporal patterns and relationships between rhythms shows how different rhythms are used as interactional resources. Systematic disruptions to their rhythmical clapping show how audience members work with dancers to sustain the accountability and relevance of mutual coordination; this reveals how dancers initiate, sustain and complete distinct phases of spontaneous movement as embodied social action.
 
}}
 
}}

Latest revision as of 04:30, 12 December 2019

Albert2015
BibType ARTICLE
Key Albert2015
Author(s) Saul Albert
Title Rhythmical coordination of performers and audience in partner dance: delineating improvised and choreographed interaction
Editor(s)
Tag(s) Dance, EMCA, improvisation, Rhythm, Ethnomethodology, Interaction, aesthetics
Publisher
Year 2015
Language English
City
Month
Journal Etnografia e ricerca qualitativa
Volume
Number 3
Pages 399–428
URL Link
DOI 10.3240/81723
ISBN
Organization
Institution
School
Type
Edition
Series
Howpublished
Book title
Chapter

Download BibTex

Abstract

This paper explores rhythm in social interaction by analysing how partner dancers and audience members move together during a performance. The analysis draws an empirical distinction between choreographed and improvised movements by tracking the ways participants deal with variations in the projectability and contingencies of upcoming movements. A detailed specification of temporal patterns and relationships between rhythms shows how different rhythms are used as interactional resources. Systematic disruptions to their rhythmical clapping show how audience members work with dancers to sustain the accountability and relevance of mutual coordination; this reveals how dancers initiate, sustain and complete distinct phases of spontaneous movement as embodied social action.

Notes